Every color on your palette should earn its place Welcome back. This is part two of our palettes and pigments deep dive, we’re picking up where we left off with the oranges and reds. I’ve got two solid outlines to get us through...
Today, I’m sharing Violet Woods, a 6×8 I painted last week. It’s based on a landscape I painted in around 2019, you can still find that wider version on the channel. This is a cropped, more intimate take on that same scene. The...
I painted Violet Woods back in 2019. Today we’re painting it again, and this time I want to explore something that fascinated me about the original: the use of violet in the underpainting, mixed into burnt umber and burnt sienna. It’s an approach...
Welcome to another tonalist landscape oil painting demonstration. This is Woolies Bay Afternoon, a five by seven I painted last week. I want to talk about why I painted it and what it shows about how painting actually works. The Postcard I’ve been...
Revisiting a coastal scene I’m painting a five by seven postcard-sized piece today. It’s Willy’s Bay, a scene I’ve been thinking about for a while. There’s a gallery I like near there—good people—and I want to create a card they can use to...
Today I’m bringing you a painting called Breaking Through, 6×8, which I completed last week. I really like this one, and I think you’ll enjoy seeing how it comes together. Why the 6×8 Format Works The 6×8 format is ideal for my painting...
Today I’m working on a 6×8 painting based on a scene I’ve painted many times before. It’s from a field in England. I’ve done versions of this composition so many times that I know it works. Every painting I’ve done from this reference...
The painting I’m bringing you today is called Amber Path, 5×7. I painted this just a couple days ago and I really liked it. I think you will too. I was out walking thinking about what I wanted to say about this painting....
Drawing, Color, and the Art of Restraint Good morning, afternoon, or evening. This is your painter in residence, Michael Francis McCarthy, occasionally known as M. Francis McCarthy. Yesterday I painted a coastal scene—really a sky painting with a little peninsula worked in. I’m...
The color of your board is one of the most critical decisions you’ll make Welcome to Easel Talk #38. Today’s talk is about ground color—the color of the board you’re painting on. It sounds simple, but I’m telling you, it’s one of the...