Welcome to Easel Talk #36! Big shapes. This is going to be good, and it ties directly to our last talk on modulation. They go hand in hand, though big shapes are way more important. We’re talking composition today, while modulation handles value...
A Vision-Driven Approach to Creative Practice Hello, welcome to another talk. This is your host, Michael Francis McCarthy. The topic for today is my ideas about the correct place for AI in a creative practice. Mostly we’ll be talking about visual stuff here....
The painting I’m bringing you today, Light on the Path. It’s a 5×7, was painted last week, and I’m really happy to show it to you today. New Website I want to mention my new website: mfrancismccarthy.art. It’s my hub—where things are consolidating....
Transcription and key Insights I’ve already mixed the underpainting color: burnt umber with a significant amount of Mars black. I’m doing this partly for time savings. I recently painted a sky scene using this Mars black mixture, and it worked well. The key...
What Is Modulation? The definition: also known as gradation. It is always desirable in painting to modulate colors from cool to warm, from dark to light or from one hue to the next. Instead of just laying down a flat, unmodulated color, you...
Music by Black Wren When the night grows deep and the shadows call, sometimes all you need is a beacon to guide you home. Black Wren is a collaboration between Michael Francis McCarthy and Jennifer L Coward Buy the track on Bandcamp: When...
Today’s talk is about the modern creator dilemma, mostly on YouTube, but this applies to any platform. How the Machine Turns Us Into Machines The biggest problem with the current setup is that the corporate machine is turning human beings into machines. Let’s...
“When Everyone’s a Stranger” was written late last year, a reflection on individuality, solitude, and the strangeness that can descend when memory fades… All music written and performed by Michael Francis McCarthy (Northland, New Zealand). No AI used. This channel holds music, films,...
A Fauvist coastal sky scene The painting I’m bringing you today is called Dusk’s Ember. It’s a 7×14 and I painted it day before yesterday. I was anxious to share it with you. Maybe some of you noticed that I didn’t say welcome...
Live Painting Transcript and Key Insights We did a version of this yesterday on the gray. Perfectly saleable. Smaller. But I’ve changed the scene quite a bit with some help from my assistants. You’ll see some synthetic color mixing here. Grist for the...