Transcription and key Insights I’ve already mixed the underpainting color: burnt umber with a significant amount of Mars black. I’m doing this partly for time savings. I recently painted a sky scene using this Mars black mixture, and it worked well. The key...
What Is Modulation? The definition: also known as gradation. It is always desirable in painting to modulate colors from cool to warm, from dark to light or from one hue to the next. Instead of just laying down a flat, unmodulated color, you...
Music by Black Wren When the night grows deep and the shadows call, sometimes all you need is a beacon to guide you home. Black Wren is a collaboration between Michael Francis McCarthy and Jennifer L Coward Buy the track on Bandcamp: When...
Today’s talk is about the modern creator dilemma, mostly on YouTube, but this applies to any platform. How the Machine Turns Us Into Machines The biggest problem with the current setup is that the corporate machine is turning human beings into machines. Let’s...
“When Everyone’s a Stranger” was written late last year, a reflection on individuality, solitude, and the strangeness that can descend when memory fades… All music written and performed by Michael Francis McCarthy (Northland, New Zealand). No AI used. This channel holds music, films,...
A Fauvist coastal sky scene The painting I’m bringing you today is called Dusk’s Ember. It’s a 7×14 and I painted it day before yesterday. I was anxious to share it with you. Maybe some of you noticed that I didn’t say welcome...
Live Painting Transcript and Key Insights We did a version of this yesterday on the gray. Perfectly saleable. Smaller. But I’ve changed the scene quite a bit with some help from my assistants. You’ll see some synthetic color mixing here. Grist for the...
This is the introductory post & video for my new channel and website. Here I’ll share music, thoughts on philosophy, AI, creativity, and whatever’s going on. No niche, or algorithm-chasing. This page is a window into what I’m making and thinking. Warts and...